{"id":4235,"date":"2020-11-15T01:20:37","date_gmt":"2020-11-15T01:20:37","guid":{"rendered":"https:\/\/www.marcos-fernandez.es\/?page_id=4235"},"modified":"2021-10-29T00:07:35","modified_gmt":"2021-10-29T00:07:35","slug":"critica","status":"publish","type":"page","link":"https:\/\/www.marcos-fernandez.es\/en\/critica\/","title":{"rendered":"PRESS"},"content":{"rendered":"

Miracle! An opera of two halves<\/strong>
\nWriting for a chamber ensemble, Marcos [...] introduced crystalline colors and textures [...] that built a contrasting effect of growth and decay between the choir and the crowd. He had a huge influence on the city.<\/em><\/p>\n

OPERA MAGAZINE – Martin Dreyer
\n\u2605\u2605\u2605\u2605<\/p><\/blockquote>\n

\n

‘Nocturno Sinf\u00f3nico’<\/strong>
\n\"From the beginning, we admire the imagination to portray nocturnal atmospheres, to combine tones.\" […] <\/em>It is music that we could describe as eclectic and that reveals a very skillful ability to link and relate melodic cells and phrases, which make up Barrero's language, which, as Eva Sandoval says in her notes, \"shows a kaleidoscope of technical and aesthetic influences that converge timbral experimentation with minimalism, folklore, flamenco, and jazz.\"<\/span><\/span><\/span>\u00bb<\/em><\/p>\n

LA RAZ\u00d3N \u2013 Arturo Reverter
\n\u2605\u2605\u2605\u2605<\/p><\/blockquote>\n

\n


\n‘America, Homenatge a Bernstein’<\/strong>
\n\"Marcos Fern\u00e1ndez joins the compositional style prevailing worldwide at the moment: the most radical eclecticism. It essentially consists of a solid and well-constructed piece for a large orchestra.\"<\/em><\/p>\n

REVISTA MUSICAL CATALANA \u2013 Xavier Pujol
\n\u2605\u2605\u2605\u2605<\/p><\/blockquote>\n

\n

‘Nocturno Sinf\u00f3nico’<\/strong>
\n\"[...] musical innovation in relation to textures to explore what can be done with an orchestra, on a path of idiomatic inquiry [...]\"<\/em><\/p>\n

RITMO \u2013 Ram\u00f3n Garc\u00eda
\n\u2605\u2605\u2605\u2605<\/p><\/blockquote>\n

\n

\u2018Eclipse\u2019<\/strong>
\n\"The initial Eclipse of Marcos Fern\u00e1ndez had the precise character and dimension to serve as a magnificent and refreshing overture to the evening, where the relative tendency to a minimalistic base, well managed, resulted in a just balance and a juicy appearance. Delicious beginning.\"<\/em><\/p>\n

REVISTA RITMO – Luis Mazorra Incera
\n\u2605\u2605\u2605\u2605<\/p><\/blockquote>\n

\n

\u2018Resonancias para Orquesta\u2019<\/strong>
\nIt is a very avant-garde work, lacking a connected melodic structure, but supported by fleeting motifs and orchestral resonances, as indicated by its title. But we liked it, it is a bold and suggestive piece. The author, present in the room, received a lot of applause.
\n<\/em>
\nLA NUEVA ESPA\u00d1A – Cuca Alonso
\n\u2605\u2605\u2605\u2605<\/p><\/blockquote>\n

\n

\u2018Juxtapositions\u2019<\/strong>
\n\"I loved the innovations presented in the performance [...] they made the orchestra illustrate moments of bright colors contrasted with more subtle and intimate moments. This was a contemporary composition, however, its melodic line was clearly identifiable. The audience must have enjoyed it as well, since the applause the piece received was genuine.\"<\/em><\/p>\n

TIMES OF MALTA – Joyce Guillaumier
\n\u2605\u2605\u2605\u2605<\/p><\/blockquote>","protected":false},"excerpt":{"rendered":"

Miracle! Una opera en dos actos\u2019 \u00abEscribiendo para un ensemble de c\u00e1mara, Marcos […] introdujo colores y texturas cristalinas […]…<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4235","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.marcos-fernandez.es\/en\/wp-json\/wp\/v2\/pages\/4235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marcos-fernandez.es\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.marcos-fernandez.es\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.marcos-fernandez.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marcos-fernandez.es\/en\/wp-json\/wp\/v2\/comments?post=4235"}],"version-history":[{"count":8,"href":"https:\/\/www.marcos-fernandez.es\/en\/wp-json\/wp\/v2\/pages\/4235\/revisions"}],"predecessor-version":[{"id":4414,"href":"https:\/\/www.marcos-fernandez.es\/en\/wp-json\/wp\/v2\/pages\/4235\/revisions\/4414"}],"wp:attachment":[{"href":"https:\/\/www.marcos-fernandez.es\/en\/wp-json\/wp\/v2\/media?parent=4235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}