{"id":4274,"date":"2021-02-22T13:22:11","date_gmt":"2021-02-22T13:22:11","guid":{"rendered":"https:\/\/www.marcos-fernandez.es\/?page_id=4274"},"modified":"2023-12-10T23:40:37","modified_gmt":"2023-12-10T23:40:37","slug":"entrevistas","status":"publish","type":"page","link":"https:\/\/www.marcos-fernandez.es\/en\/entrevistas\/","title":{"rendered":"Interviews"},"content":{"rendered":"<table style=\"border-collapse: collapse; width: 100%;\">\n<tbody>\n<tr>\n<td style=\"width: 50%;\">Composer Marcos Fernandez-Barrero talks about the idea behind his Requiem<strong>R\u00e9quiem<\/strong>which our orhcestra and chorus had the honour to premiere it in the <a class=\"x1i10hfl xjbqb8w x6umtig x1b1mbwd xaqea5y xav7gou x9f619 x1ypdohk xt0psk2 xe8uvvx xdj266r x11i5rnm xat24cr x1mh8g0r xexx8yu x4uap5 x18d9i69 xkhd6sd x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz xt0b8zv x1qq9wsj xo1l8bm\" tabindex=\"0\" role=\"link\" href=\"https:\/\/www.facebook.com\/hashtag\/ciclosinf%C3%B3nico?__eep__=6&amp;__cft__[0]=AZWHKGGpEuIv3R6kM4O1OWD_cwMMZ2m2yQI4NBSLPpZi4q0A1_a9jcxJJGwXjCGhNPlRYv3gut2QSwUJ2A_wTG1_aW2gVNrOrdU_hxH6NhYNXE0sMSn6ZN11Nfc4qnj35FUX5Djk_QtWTbOxKG0tuZInRF_I6g-4-qXuHuHfFNeZDqa1wxLzVKWZrM5aPHcVB-0&amp;__tn__=*NK-y-R\">#CicloSinf\u00f3nico<\/a> National Concert Hall of Spain<\/td>\n<td style=\"width: 50%;\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"\/\/www.youtube.com\/embed\/P23zPf6SdI0?si=OhnkHmdVWNaM0g5c\" width=\"441\" height=\"248\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 50%;\">Short talk about <strong><em>America<\/em><\/strong>, for symphony orchestra<\/td>\n<td style=\"width: 50%;\"><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/P6dhiY77ahc\" width=\"441\" height=\"248\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 50%;\">Short talk about the opera <strong><em>The Soldier&#8217;s Return<\/em><\/strong><\/td>\n<td style=\"width: 50%;\"><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/0-NzWBu3erI\" width=\"441\" height=\"248\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 50%;\">The National Orchestra of Spain presents Symphonic Nocturn by Spanish composer Marcos Fernandez-Barrero throught the presentation of Dr. Sof\u00eda Mart\u00ednez Villar <strong>Nocturno Sinf\u00f3nico<\/strong>, del compositor espa\u00f1ol Marcos Fernandez-Barrero a<br \/>\nDr. in Theory and Criticism of the Arts Sof\u00eda Mart\u00ednez Villar<\/td>\n<td style=\"width: 50%;\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"\/\/www.youtube.com\/embed\/3quO7fE1K80\" width=\"441\" height=\"248\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 50%;\">Baldur Br\u00f6nnimann talks about Nocturno Sinfonico with the ORCAM <strong><em>Nocturno Sinf\u00f3nico<\/em><\/strong> con la ORCAM<\/td>\n<td style=\"width: 50%;\"><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/CaJBD8F-9Jg\" width=\"441\" height=\"248\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 50%;\">Short talk about <strong><em>Nocturno Sinf\u00f3nico<\/em><\/strong><\/td>\n<td style=\"width: 50%;\"><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/xPPJU8A_3wQ\" width=\"441\" height=\"248\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 50%;\">Short talk about<strong><em> Diasporoa of Symbols<\/em><\/strong>, for small orchestra<\/td>\n<td style=\"width: 50%;\"><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/YzA-_fDfHQE\" width=\"441\" height=\"248\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 50%;\">TV interview about the premiere of the opera<strong> <em>The Soldier&#8217;s Return<\/em><\/strong><\/td>\n<td style=\"width: 50%;\"><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/hRdU8_uaWSI\" width=\"441\" height=\"248\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 50%;\">Radio interview, Australian premiere of <strong><em>Resonancias\u00a0para orquesta<\/em><\/strong><\/td>\n<td style=\"width: 50%;\"><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/0O5lnQdIxqo\" width=\"441\" height=\"248\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 50%;\"><\/td>\n<td style=\"width: 50%;\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>","protected":false},"excerpt":{"rendered":"<p>El compositor Marcos Fern\u00e1ndez-Barrero nos cuenta en esta entrevista el origen de su obra \u2018R\u00e9quiem\u2019 que nuestra Orquesta y Coro&hellip;<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4274","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.marcos-fernandez.es\/en\/wp-json\/wp\/v2\/pages\/4274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marcos-fernandez.es\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.marcos-fernandez.es\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.marcos-fernandez.es\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marcos-fernandez.es\/en\/wp-json\/wp\/v2\/comments?post=4274"}],"version-history":[{"count":14,"href":"https:\/\/www.marcos-fernandez.es\/en\/wp-json\/wp\/v2\/pages\/4274\/revisions"}],"predecessor-version":[{"id":4774,"href":"https:\/\/www.marcos-fernandez.es\/en\/wp-json\/wp\/v2\/pages\/4274\/revisions\/4774"}],"wp:attachment":[{"href":"https:\/\/www.marcos-fernandez.es\/en\/wp-json\/wp\/v2\/media?parent=4274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}